I’ve just completed a lovely little textile necklace in muted neutral colours. It’s a breakaway from the typical bright colours of Shweshwe and African print textiles that I’ve been using and its been exciting to see how differently the beads have behaved in combination with ivory, black and soft gold of the textiles. This is also the first time I’ve included velvet in a necklace and I am very happy with the textural interest it creates.
Velvet from Bellamy & Bellamy
The velvet was a happy find at David Bellamy in Muizenberg. They have the most amazing range in very high quality British and Dutch velvets and what’s most fabulous is that they aren’t scared of colour. Their are some bewitching purples and acid greens, iridescent turquoise as well as the more traditional colours, the silvery grey I’ve used in this textile necklace being one of the latter. Of course this might not sound exciting to followers in other parts of the world, but in South Africa there is very little in the way of quality fabric of any kind.
Zulu Teething Beads
The little pale blue grey Imbifinga beads are known by many names, most commonly Job’s Tears. In South Africa they are known as Zulu teething beads, amatandjies (or amatantyisi). These tear shaped seeds come from a grass that is similar to corn and in some parts of the world is known as “The Mother of Corn”.
I was fascinated to read that the male flower actually grows through the center of the seed and so there is no need to drill a hole to make the bead – it comes ready made!
“Etosha” is truly a versatile piece as this pics show, looking equally great with denim, Indian cotton and linen. I have a sense that the possibilities are endless and I know that the artistic customer who commissioned it is going to do some exciting combinations.