Vibrant red is a colour much favoured by the Maasai people, a semi-nomadic people of Tanzania and Kenya and the dominant colour in this piece which is made from 100% cotton isishweshwe and wax fabric. The central bead in the pendant is a found vintage ivory bead and the central tandleton is encircled with “silver” prayer beads from Ethiopia.
Please contact me for more information about this neck adornment.
On a recent bead search I was delighted to purchase some beautiful paper beads from a Zimbabwean trader. Now paper beads can be find all around Cape Town but often they’re heavily painted. I look for those that have only been varnished so that the original paper is visible. It is here that you can see the real artistry of the beadmaker.
The little “silver’ bead is a Tuareg bicone. These are made by melting old aluminum pots and pans. I have read that they also use old bullet casings in the manufacture of metal beads. The ostrich eggshell beads have been used for thousands of years particularly by the Khoi people of Southern Africa. These ones probably came from Namibia.
I also used some found beads on this necklace as well as some contemporary beads such as glass pearls.
The necklace strands are African wax fabric which is actually probably made in China but is still a very popular textile in Africa.
South African isiShweshwe was used for the textile buttons/tandletons.
Klimt in Africa fits over a medium sized head. It retains it’s circular shape when worn.
Like all of my pieces it is very light and easy to wear.
If you’d like to purchase this piece of have any questions about it, please feel free to contact me by email.